Sunday, March 14, 2010

AA Palestine Film Festival Violates Palestinian Boycott

Last June, in "Which Side Are You On?" I wrote, "There's an old labor song by Florence Reece called 'Which Side Are You On?' Sometimes self-styled Palestinian solidarity activists bring this tune to mind." Today brings the sad news that the organizers of the recently concluded Ann Arbor Palestine Film Festival have violated both the Palestinian Academic and Cultural Boycott against Israel and the 2005 Palestinian call for "broad boycotts ... against Israel" by showing an Israeli film, Ajami.

In an Electronic Intifada interview with Jimmy Johnson entitled "Education and resistance at the Ann Arbor Palestine film fest" one of the festival's organizers, Hena Ashraf, is quoted characterizing the festival as combining her interest in film and Palestine solidarity activism. Ashraf says, "Film, and more broadly, media, can be used as a means to educate, but also unfortunately to miseducate. Mainstream media outlets have often presented gross stereotypes of Palestinians and biased misinformation." In the case of Ajami, it appears that Ashraf and her colleagues have not only violated the boycotts but if Raja Shehadeh, founder of the Palestinian human rights organization, Al-Haq, is to be believed they are also guilty of presenting "gross stereotypes of Palestinians and biased misinformation."

Shehadeh says:
[The world of Ajami is] a city of drive-by shootings, drugs, and racketeering, where men, young and old, are shot or stabbed to death on the slightest provocation and shady sheikhs in Arab dress sort out the blood money in what is supposed to pass as tribal justice. ... the unrelieved blood-letting punctuated only by moments of love and loyalty to family and friends leaves us in no doubt that the Jewish citizens of Israel exist in a jungle infested by bloodthirsty, uncivilized Arabs who live inside and outside its borders exactly as Israeli propagandists claim. If Israel is to make it, the story goes, this tiny bastion of civilization has no choice but to remain militarized and on full alert.
To return to the boycott issue, last month Hannah Brown touted Ajami in the Jerusalem Post as "a triumph for Israel in a year in which prominent industry figures called for a boycott of a program of Israeli films at the Toronto Film Festival last fall." She also noted, "It received some of its funding from the Israel Film Fund, which is government-supported." On Oscar night, responding to Ajami co-director Scandar Copti's criticism of Israel, Israeli Consul General Jacob Dayan told a Jewish Journal blogger: "Tomorrow no one will remember what [Copti] said ... They’ll remember that this is an Israeli movie and that it will help make Israel a little stronger by reinforcing the relationship between Israel and Hollywood."

The same article also says:
"The film represents Israel exactly," said Israeli-American choreographer Barak Marshall. "It touches on almost all of the issues we face in Israeli society and it shows how broad the public debate is; that someone who is from Israel can negate his very connection to the state shows how wonderfully strong and alive our political culture is."

For Dayan, art that reflects a dynamic Israeli society and its status as a pluralistic democracy is an essential strength of statehood.
The issue of why Zionists like Ajami is also addressed here and in the Palestine Chronicle but the matter of why self-styled Palestine solidarity activists like Ashraf and her colleagues promote the film is another matter. Is it ignorance? Arrogance? Elitism? Who knows?

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Sunday, February 08, 2009

Update: 6 Days to Go--No Dancing on Gaza's Graves

Reposted from Next Year in al-Quds.

Update: 6 Days to Go--No Dancing on Gaza's Graves

***PLEASE FORWARD***

In this update:
1. Protest reminder
2. E-letters at 80% of goal
3. New supporters
4. New Batsheva article on Palestine Think Tank
5. Photos from Pittsburgh protest

1. 08 Feb 2009 - Israel's apartheid Batsheva Dance Company comes to Ann Arbor next Saturday. This recital is part of an ongoing campaign to polish the image of Israel in the American consciousness and, thus, to help secure continued American financial, diplomatic, and military support of the Jewish state even in the aftermath of the recent Israeli massacre in Gaza. Please plan to come and nonviolently protest the Batsheva Dance Company on Saturday and Sunday. Let us answer the call of the Palestinian people for broad boycotts, divestment and sanctions against Israel.

Click here to download a PDF file of the most recent Ann Arbor Batsheva Dance Company protest leaflet. Click here or see below for protest details and more updates.


The Batsheva Dance Company:
NO DANCING ON GAZA'S GRAVES--PROTEST THE ISRAELI APARTHEID DANCE TROUPE COMING TO ANN ARBOR
7:30 PM Sharp, Saturday February 14, 2009
3:30 PM Sharp, Sunday, February 15, 2009
(performances start at 8 PM and 4 PM)
Power Center, 121 Fletcher (at Huron) UMich-Ann Arbor
(for map and directions click here)

This protest is sponsored by the Middle East Task Force with support from Home for Peace and Justice; MidEast JustPeace; Newaygo County People for Peace; Jewish Witnesses for Peace and Friends; Ann Arbor Coalition Against War; Palestine Office; Michigan Emergency Committee Against War & Injustice; the Rev. Naim Ateek, Director of Sabeel Ecumenical Liberation Theology Center, Jerusalem; and the Israel/Palestine Action Group of the Episcopal Peace Fellowship.

2. The Middle East Task Force's e-letter has now reached 80% of its goal. If you haven't already done so, there's still time to sign the e-letter and you don't have to live in Michigan or Ann Arbor to take a stand against Israeli apartheid. Please sign today. Click here to sign the e-letter or see a list of those who have already signed. The purpose of the e-letter is to ask University Musical Society (UMS) Executive Director Ken Fischer and members of the UMS Board of Directors to honor the Palestinian people's boycott against Israel by canceling the Batsheva Dance Company performances and by ending all scheduling of Israeli performers.

3. Since the last update the Dearborn-based Palestine Office and the Michigan Emergency Committee Against War & Injustice have stepped up to support the Batsheva boycott and protest. Other new supporters include the Rev. Naim Ateek, Director of Sabeel Ecumenical Liberation Theology Center, Jerusalem and the Israel/Palestine Action Group of the Episcopal Peace Fellowship. Thanks to everyone for their support. It's not too late add your organization's name to the list of supporters.

4. Click here to read a February 2, 2009, action alert about the Batsheva Dance Company on Palestine Think Tank.

5. Click here to see two photos from the Pittsburgh Batsheva protest.

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Friday, February 06, 2009

A Response to the Pittsburgh Batsheva Protest

On the Pittsburgh Arts - Digging Pitt blog Jessica Fenlon writes:
We were settling into the audience at the Benedum center when I saw E. a few rows down.

I went down to say hi. "Did you feel guilty, crossing the picket line to get in?" I asked her.

"A little," she said, "but this is art. What does art have to do with war?"

I smiled. We were here for Batsheva Dance Company, an Israeli dance troupe founded by Martha Graham and Baroness Batsheva De Rothschild in 1964. Ohad Naharin, the current artistic director, began working with Martha Graham in 1980, at her invitation, after he began his study with Batsheva in the late 1970's.
Here is a comment posted to the blog:
Ah, the smug questions of 'cultured' ignoramuses: "What does art have to do with war?" Only someone incredibly ignorant of history could ask such a question or smile at it. Ever heard of the Reichskulturkammer, Triumph of the Will or Arno Breker? How about the Proletkult, Socialist Realism, Bulgakov, or Solzhenitsyn? Every modern, repressive regime has been keenly aware of the importance of culture and promoted some works and artists while suppressing others. And the approved art has never found a shortage of "little Eichmanns" and dupes to lap it up. The monstrous Jewish state is no different and, thus, we have the Batsheva Dance company and its fans.
Of course, the Nazi and Soviet cultural progams are obvious examples by 'official enemies' that most indoctrinated er, I mean educated, Americans should be aware of. The New Rome* has done the same thing only usually more effectively and through the use of 'free-market mechanisms,' see e.g. Jackie Salloum's documentary short, Planet of the Arabs. One notable example where the government intervened more directly is the CIA's Congress for Cultural Freedom.

*In 1967, British historian Alfred Toynbee’s observed: "America . . . now stands for what Rome stood for. Rome consistently supported the rich against the poor in all foreign communities that fell under her sway; and, since the poor, so far, have always and everywhere been far more numerous than the rich, Rome’s policy made for inequality, for injustice, and for the least happiness of the greatest number."

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Friday, January 23, 2009

Send UMS an E-Letter--Boycott the Israeli Apartheid Dance Troupe

Reposted from Next Year in al-Quds:

Send UMS an E-Letter--Boycott the Israeli Apartheid Dance Troupe

***PLEASE FORWARD***

No Dancing on Gaza's Graves--Boycott the Batsheva Dance Troupe

Please ask Executive Director Ken Fischer and members of the Board of Directors of the University Musical Society (UMS) of Ann Arbor, Michigan to honor the Palestinian people's boycott against Israel by canceling the Batsheva Dance Company performances scheduled for February14-15, 2009, and by endings all scheduling of Israeli performers until such time as the boycott against Israel is ended by the Palestinian Boycott, Divestment and Sanctions National Committee.

The Batsheva Dance Company is funded by the Israeli government, it has no Arab performers, and is "proud to be considered Israel's leading ambassador." Ohad Naharin, the dance company's director, is an Israeli army veteran and current Israeli soldiers/reservists also belong to the company.

To send an e-letter to Ken Fischer and UMS Board members asking them to cancel the upcoming performance go to http://michiganpeacenetwork.org/eletters/.

Please plan to join us outside to nonviolently protest the performances unless the UMS cancels them. The protest is sponsored by the Middle East Task Force with support from Michigan Peace Team, Home for Peace and Justice, MidEast JustPeace, and Newaygo County People for Peace.

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Monday, December 22, 2008

Quotable: How Jewish is Hollywood?

Here are a few excerpts from Joel Stein's recent article in the Los Angeles Times, "How Jewish is Hollywood?":
I have never been so upset by a poll in my life. Only 22% of Americans now believe "the movie and television industries are pretty much run by Jews," down from nearly 50% in 1964. The Anti-Defamation League, which released the poll results last month, sees in these numbers a victory against stereotyping. Actually, it just shows how dumb America has gotten. Jews totally run Hollywood.

How deeply Jewish is Hollywood? When the studio chiefs took out a full-page ad in the Los Angeles Times a few weeks ago to demand that the Screen Actors Guild settle its contract, the open letter was signed by: News Corp. President Peter Chernin (Jewish), Paramount Pictures Chairman Brad Grey (Jewish), Walt Disney Co. Chief Executive Robert Iger (Jewish), Sony Pictures Chairman Michael Lynton (surprise, Dutch Jew), Warner Bros. Chairman Barry Meyer (Jewish), CBS Corp. Chief Executive Leslie Moonves (so Jewish his great uncle was the first prime minister of Israel), MGM Chairman Harry Sloan (Jewish) and NBC Universal Chief Executive Jeff Zucker (mega-Jewish). If either of the Weinstein brothers had signed, this group would have not only the power to shut down all film production but to form a minyan with enough Fiji water on hand to fill a mikvah.

The person they were yelling at in that ad was SAG President Alan Rosenberg (take a guess). The scathing rebuttal to the ad was written by entertainment super-agent Ari Emanuel (Jew with Israeli parents [and brother of Rahm Emanuel]) on the Huffington Post, which is owned by Arianna Huffington (not Jewish and has never worked in Hollywood.) ...

As a proud Jew, I want America to know about our accomplishment. Yes, we control Hollywood. Without us, you'd be flipping between "The 700 Club" and "Davey and Goliath" on TV all day.

So I've taken it upon myself to re-convince America that Jews run Hollywood by launching a public relations campaign, because that's what we do best. I'm weighing several slogans, including: "Hollywood: More Jewish than ever!"; "Hollywood: From the people who brought you the Bible"; and "Hollywood: If you enjoy TV and movies, then you probably like Jews after all." ...

"That's a very dangerous phrase, 'Jews control Hollywood.' What is true is that there are a lot of Jews in Hollywood," he said. Instead of "control," Foxman would prefer people say that many executives in the industry "happen to be Jewish," as in "all eight major film studios are run by men who happen to be Jewish."

But Foxman said he is proud of the accomplishments of American Jews. "I think Jews are disproportionately represented in the creative industry. They're disproportionate as lawyers and probably medicine here as well," he said. He argues that this does not mean that Jews make pro-Jewish movies any more than they do pro-Jewish surgery. Though other countries, I've noticed, aren't so big on circumcision.

I appreciate Foxman's concerns. And maybe my life spent in a New Jersey-New York/Bay Area-L.A. pro-Semitic cocoon has left me naive. But I don't care if Americans think we're running the news media, Hollywood, Wall Street or the government. I just care that we get to keep running them.
See also:
On Hollywood's representations of Arabs see Jackie Salloum's documentary short, Planet of the Arabs.

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